A few months ago I took a couple of my early novel off sale, as I’m not confident they’re good indicators of my writing for readers who may never have read my stuff before. Basically, my writing craft has improved (relatively) since writing them, and I’m not sure they’re any good. I had vague plans to rewrite them, to see if they could be improved.
I’m not sure I’m capable of that. Apart from these, I also took another look at the first novel I wrote, but never published, a couple of months ago. Having just done an initial revision pass on Broken Worlds, I find myself in a similar position to where I was after that: I’ve no idea what to change, but I’m sure it needs something.
In the case of Broken Worlds, there are at least a couple of things that probably need changing.
- During the large fight near the end, I switch viewpoints a lot. It’s the first time out of the viewpoint of the main character. I could probably redo it to be purely from his viewpoint with little loss. But I’m not sure whether it’d also lose the frenetic chaos.
- The structure is very episodic, since I was going for a pulpy feel. Some episodes are smaller than others though, and it feels like it could generally be smoothed out.
Having finished the first pass, I’m sure there’s more that needs changing on a fundamental level. But as with Paragon Protocols (my first novel), I just can’t see what to change. They’ve become so fixed in my mind that it’s by this point difficult to imagine them being anything else.
Anything I could afford spending on editors, I’d sooner spend on my newer work. I’ve been looking at these as shorter projects between the new stuff, but that doesn’t seem to be working out.
I could always try rewriting from scratch. Which could well require serious changes to the structure of the story so that it feels new to me. At which point I have to ask whether it’s worth investing the time, rather than doing completely new stuff.
For Broken Worlds, possibly. It established background elements I’ve used in other books, and espoused fundamental elements of the philosophy underlying some of my work. The latter is the main reason I was so reluctant to take it off sale, and I’d still like to have it out there. If I can’t salvage the book, I’ll probably have to find another way to explore the ideas. Which would mean another thing to stick into the overfull queue.
I don’t know that I could face complete rewrite, anyway. The prospect of the amount of work ahead of you when you start writing a new story can be overwhelming. This lump of a story sits before me, waiting to be consumed one mouthful at a time by the craftsman part of my mind, and excreted as words on a page (virtual or real). Outlining helps view it as more digestible chunks, but the overall mass of it all still looms ahead of me.
Doing so with something I’ve already written once is even worse. It’s Sisyphean. It might be different if there was a chance of them selling, but since that’s pretty much just a fantasy now, I’m mainly doing this for my own amusement. So I’ll probably stick to producing new stuff. Or writing it, since producing implies releasing it to the wild.